Anti-Bond – James Bond Connections

The Ipcress File (1965): hypnotic working-class Bond

1 JANUARY 2024

JBC rating: *****

James Bond Connections (6):

Producer Harry Saltzman (Bond Producer, 1962 – 1975).
Featuring actor Guy Doleman (Count Lippe in Thunderball) as Colonel Ross.
Production designer Ken Adam (Bond production designer, various, 1962 – 1979).
Composer John Barry (Bond composer, various, 1962 – 1987).
Editor Peter Hunt (Bond Editor / Director, 1962 – 1969).
Sound design Norman Wanstall (Sound designer, Goldfinger).

In October 1962, the same month Dr No was released in cinemas, English artist-turned author Len Deighton saw the publication of his debut thriller The IPCRESS File, an instant bestseller leading to a series following the adventures of a working-class English spy. Ironically, given Deighton’s creation provided a gritty tonic to the increasingly fantastical James Bond series, this and two further Deighton’s novels were brought to the screen from 1965 onwards by Bond co-producer Harry Saltzman (with IPCRESS losing its capitalisation along the way). Indeed, one of the reasons The Ipcress File remains such a terrific spy thriller is the presence of so many EON regulars involved in the production, including John Barry who provides one of his greatest-ever soundtracks. Additional interest for any James Bond fan is that despite being ostensibly an anti-Bond film with a focus on spy procedure, The Ipcress File includes themes found in Bond and other spy fantasy films of the 1960s such as brainwashing and mind control.

Danger Route (1967): nearly-Bond Richard Johnson as a blunt instrument of the state

4 JUNE 2023

JBC rating: ***

James Bond Connections (2):

Featuring actor David Bauer (Morton Slumber in Diamonds Are Forever) as US official Bennett.
Theme song composed by Lionel Bart (composer of the song From Russia with Love).

The British B-movie Danger Route is by far the grittiest of three late 1960s spy films starring Shakespearean actor Richard Johnson, the darkly handsome English leading man who famously turned down the chance to star as the first James Bond in Dr No (1962). Johnson’s brutal turn as a jaded, cold-blooded government assassin adds an edge of danger largely absent from his portrayals of Bulldog Drummond in the campy and fantastical Deadlier than the Male (1967) and Some Girls Do (1969). Indeed, Danger Route suggests his portrayal of 007 could have been both exciting and faithful to Ian Fleming’s conception of his hero as a “blunt instrument of the state” and the film is well worth watching for any James Bond fan.

The Fourth Protocol (1987): Pierce Brosnan plays 007, Soviet-style

25 MAY 2023

JBC rating: ****

James Bond Connections (4):

Starring Pierce Brosnan (James Bond, 1995 – 2002) as Soviet spy Major Valery Petroski.
Featuring Julian Glover (Aris Kristatos in For Your Eyes Only) as British intelligence official Brian Harcourt-Smith.
Director of Photography Phil Meyheux (DOP, GoldenEye and Casino Royale [2006]).
Production designer Allan Cameron (Production Designer, Tomorrow Never Dies).

In the late 1980s Irish-born leading man Pierce Brosnan famously became a near-Bond when contract issues with his Remington Steele producers led to him being unable to succeed Roger Moore as 007 in The Living Daylights (1987). However, in the same year Brosnan starred in another spy thriller, The Fourth Protocol, an adaptation by blockbuster author Frederick Forsyth of his own best-selling 1984 novel. Brosnan stars as a Soviet villain plotting to weaken NATO by detonating a nuclear device near an American airbase in England. Ironically, The Fourth Protocol helped Brosnan keep his EON ambitions afloat as, even while playing the villain, the young and impossibly handsome actor clearly remains a potential future James Bond.

Permission to Kill (1975): the Timothy Dalton spy movie you need to see

23 MAY 2023

JBC rating: ****

James Bond Connections (2):

Featuring Timothy Dalton (James Bond, 1987 – 1989) as Foreign Office official Charles Lord.
Director of Photography Freddie Young (DOP, You Only Live Twice).

A decade before his casting as 007, rising Welsh leading man Timothy Dalton appeared in Permission to Kill, an ensemble spy drama with some similarities to Munich (2006), another espionage thriller featuring a future Bond (Daniel Craig). Opposite in tone to the comedic and increasingly fantastical Bond films of the 1970s, this dark and gritty spy movie contains themes reflecting a morally uncertain world dominated by increasing cynicism about Western governments following Vietnam and the leaked Pentagon Papers. The presence of Dalton, playing a British Foreign Office official with the same depth, coolness and world-weary nature he would later bring to 007, anticipates the more grounded films of the 1980s. The film also points toward the moral complexities of the Daniel Craig era.